Manual Zu Paula Modersohn Beckers Selbstbildnissen (German Edition)

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  1. Paula Modersohn-Becker - Wikiquote
  2. Paula Modersohn-Becker
  3. File:Paula Modersohn-Becker - Self-portrait with hat and veil - Google Art Project.jpg
  4. Escape from the modern world

In her letters, collected by her mother after her death and published to become a best-seller in Germany, the charms of her prose are evident: she is clever but guileless, a young girl in an innocent Europe, a Germany before its two major wars.

Paula Modersohn-Becker - Wikiquote

Modersohn-Becker was full of these contradictions: She was both the good girl and a woman who ran away from a husband and her young stepdaughter. She was German but found her sense of self in France.

  • Paula Modersohn-Becker, the challenges of pregnancy and the weight of tradition!
  • File history.
  • (German, 1876–1907).
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  • Introduction.

Her work was not Expressionist, but not quite Cubist or Modernist either. She hated being chained to the house and disliked the compromises of marriage but craved support and comfort. Her complicated understanding of her own wants and desires is echoed in her approach to her paintings.

In what might be her most famous work, the Reclining Mother-and-Child Nude II , Modersohn-Becker paints the figure of a broad mother, lit from above, spooning the body of her child. The child appears to be breastfeeding, its body mirroring the shape of its mother, its back turned to the viewer — a closed circuit of intimacy.

Woman is one or the other, not both at the same time. In it, Paula paints herself nude from the waist up, a distinctive amber necklace hung around her neck. Modersohn-Becker created a number of nude self-portraits, but here her hand rests atop a rounded belly, seeming to indicate a pregnancy. This presents a contradiction: at the time of her painting, Modersohn-Becker had left Otto and was living alone in Paris.

Was the painting intentionally misdated?

Paula Modersohn-Becker

Or is this a self-portrait of a woman who ate too many potatoes and cabbage, a bloated nude which may also be a first? She paints herself as she would like to be, and as she imagines herself. About a year after she painted this portrait, Modersohn-Becker gave birth to a daughter, Mathilde. Her upper body is naked and on her neck she wears an amber necklace.

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When Paula Modersohn-Becker painted this self-portrait, she was not pregnant, as the picture shows. Paula Modersohn-Becker painted, during the summer of in Paris, another nude self-portrait, now in the Kunstmuseum Basel in Switzerland. As far as we know, these nudes were not shown during her lifetime to outsiders, but they became known after her death in November The painting was owned by Paula Modersohn-Becker's mother in It was purchased in and is today at the Paula Modersohn-Becker Museum in Bremen, the first museum devoted to a female artist.

From Wikipedia, the free encyclopedia. This article includes a list of references , related reading or external links , but its sources remain unclear because it lacks inline citations.

File:Paula Modersohn-Becker - Self-portrait with hat and veil - Google Art Project.jpg

This self-portrait shows her surrounded by the local Worpswede landscape. Paula Modersohn-Becker's art was ahead of its time: her paintings depicting rural life in the country show a decidedly expressionist style. But not everyone enjoyed her work. German poet Rainer Maria Rilke described her as a "recklessly straight-forward" painter. It's a good thing he stuck to poetry though, as Modersohn-Becker today is considered a leading representative of modern art.

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But eventually, there's discord even in the most harmonious artists' colony: Founder Carl Vinnen painter of this landscape decides to quit the colony in , as does Otto Modersohn. Heinrich Vogeler, another early member of the Worpswede community, turns his energy to pursuing communist ideas.

Escape from the modern world

Others start toying with populist sentiments. Over the years, the spirit of Worpswede changed from that of a full-time, live-in artists' colony to more of a retreat center for creative minds. Fritz Overbeck, who painted this landscape of the evening sky in the country, stayed for almost ten years but eventually decided to leave in Too many tourists coming to see the village for his liking.

This painting is perhaps Heinrich Vogeler's most recognized work.